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At this moment Geoffrey comes into the room and up to Mona. He takes no notice whatever of her companion, "Mona, will you come and sing us something?" he says, as naturally as though the room is empty. "Nolly has been telling the duchess about your voice, and she wants to hear you. Anything simple, darling,"—seeing she looks a little distressed at the idea: "you sing that sort of thing best.",

It is Mona's laugh. Raising their eyes, both mother and son turn their heads hastily (and quite involuntarily) and gaze upon the scene beyond. They are so situated that they can see into the curtained chamber and mark the picture it contains. The duke is bending over Mona in a manner that might perhaps be termed by an outsider slightly empresse, and Mona is looking up at him, and both are laughing gayly,—Mona with all the freshness of unchecked youth, the duke with such a thorough and wholesome sense of enjoyment as he has not known for years.,

In the afternoon, as they watched for their returning husband, they saw him come over the hill loaded down with meat that he had killed. When he threw down his load outside the lodge, they hurried to cook something for him. After he had eaten he went up on the butte and sat down on the skull. The slender sticks broke and he fell into the hole. His wives were watching him, and when they saw him disappear, they took down the lodge and packed their dogs and set out to go to the main camp. As they drew near it, so that people could hear them, they began to cry and mourn.,

There is a pause. Mona says nothing, but taking out the flower that has lain upon her bosom all night, pulls it to pieces petal by petal. And this is unlike Mona, because flowers are dear to her as sunshine is to them.

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Long ago, almost in the beginning, a man and his wife were sitting in their lodge when Thunder came and struck them. The man was not killed. At first he lay as if dead, but after a time he lived again, and, standing up, looked about him. He did not see his wife.,

When she is gone, Geoffrey walks impatiently up and down the small hall, conflicting emotions robbing him of the serenity that usually attends his footsteps. He is happy, yet full of a secret gnawing uneasiness that weighs upon him daily, hourly. Near Mona—when in her presence—a gladness that amounts almost to perfect happiness is his; apart from her is unrest. Love, although he is but just awakening to the fact, has laid his chubby hands upon him, and now holds him in thrall; so that no longer for him is that most desirable thing content,—which means indifference. Rather is he melancholy now and then, and inclined to look on life apart from Mona as a doubtful good.,

"Well, now," they replied; "we have those animals, how are we to kill them?",

"But how did you manage to procure their good graces?"